Paint the Factory or Buy - Side Skirts??
I've heard good and bad about painting the Factory Side Skirts (2009 Smart). I'm not sure the best route to take?? My body shop guy is really good but he has never painted a Smart, not sure if that matters.
If it is better to go with new, I would like a easier install that would look good with the Carlsson kit. Any suggestions?
Glashütte timepieces factory is situated close to Dresden, not possible to separate the upper and decrease its fame inside the worldwide arena and Mason porcelain. starting in 1998, the two are producing quintessence-class level of quality and world-famous German factory started out a cooperation: Glashutte created by Mason porcelain factory light painted dial, particularly with the the Glashutte exclusive manufacture of restricted edition watches.
Glashutte 2007 Only watches. The dial within the theme belonging to the palace belonging to the Prince of Monaco. It could be the perform belonging to the Mason painted the master duplicate Canaletto. 1747, a 26-year-old Venetian painter Bernardo Bellotto, named Canaletto, (1721-1780), towards the Duchy of Saxony, he is wonderful at meticulous landscape, making use of a painting method named digital camera obscura inside the draw really precise landscape painting. A complete draw of 17 within the landscape of Dresden, probably the most well-known a single is named Canalettoblick, figure Elbe, observed through the Church of Our Lady, the Augustus Bridge, elegant Palace as properly as the Queen’s Cathedral (now Cathedral).
Generated by high-temperature kiln light painted dial carries a tough and powerful texture, the colour continues to be long-lasting features, texture like smooth light tallow. light painted dial Mason Glashutte created good and delicate, exceptional style, the excellent expression belonging to the numerous sorts of artwork styles, the two Horrocks Stewart design style figures, there Kakiemon design tiger and plum other topics.
Mason opaline dial and painted enamel dial carries a really large artistic value. The planet can generate painted enamel dial belonging to the timepieces factory there are many producing the opaline dial only Mason porcelain factory one. Mason porcelain factory following an additional restricted edition Glashütte timepieces factory dial of the quantity of numerous topics. The themes of those dial Schulz, the Codex like a template.
Schultz manuscript is typically a Horrocks Stewart painted pattern arranged of style manuscripts, every single manuscript, which includes pieces of comprehensive design. Horrocks Stewart could be the founder belonging to the 18th century Mason porcelain. Draw within the qualities belonging to the etchings, handbook depicting well-known paintings to porcelain, as properly as the development of the exceptional Mason porcelain Horrocks Stewart style. Horrocks Stewart design painted the picture belonging to the theme lively and vivid, multi-colored and gorgeous patterns with the primary features. Horrocks Stewart design influenced a technology of porcelain painting teacher.
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Firms that use factories in its each day operations normally has a lot to keep in check. Having said that, 1 thing that lots of manufacturing plant owners may perhaps not Monster Beatsthink about as well much is how the manufacturing plant is going to stay clean with time. It might actually pose a big challenge as a messy factory building is a spot in which quite a bit of individuals can get injured.A factory owner never wants an employee to get hurt due to the fact nobody wants to find out a single additional hurt, even so, there’s some other causes as well. An injured employee indicates lost money and time to get a factory owner. To add to that, when the worker was hurt on account of a messy factory then the factory owner could be at fault along with a lawsuit may well be coming. So, getting a factory cleaning organization may possibly be a wise decision.
Exactly Beats By Dre what’s a factory cleaning business? It’s a company that actually goes around and helps manufacturing plant owners keep their industrial facilities clean. They are able to do a variety of various things from helping a corporation by providing vacuum services, waste management services, air and filter management and even some more unorthodox jobs might be achieved as well.A couple of Beats Headphones on the additional unorthodox jobs that a organization that cleanses factories include thing like getting rid of jackets of paint from the building, painting the facility, and blasting the factory with water to get rid from the most persistent dirt and grime that has constructed up on and around the manufacturing plant.How frequently does a factory cleaning firm come around and clean up the plant? This really is something that each and every plant will have to figure out. The extra the cleaning firm comes around the far more money a factory owner will obviously have to spend, however,Monster Beats this could be 1 region in which saving money might not be worthwhile.
Factory owners Cheap Beats Dr Dre who’re seriously interested in ensuring their factories are clean to be able to create a safe operating environment for his or her workers must make sure that they have the cleaning company come around on a frequent basis. Now, depending on how messy the factory gets, this might imply the moment per week, after each individual couple of weeks or when a month.A different question that many factory owners might have with regards to hiring a factory cleaning corporation is how much it’s going to expense. This may be a great question but Beats Headphones one particular that’s hard to answer. The fact of the matter is that the total it’s going to expense you to clean the factory depends on a couple of components.A single primary factor that decides the fees of acquiring a factory cleaned is obviously how frequently its cleaned but additionally how big the facility is. Generally a variety is determined through the factory’s square footage as that selection is place into a formulation that may be then utilized to determine the all round expense. Hopefully these statements areBeats By Dre Cheap helpful to those seeking to keep their factory clean each of the time.
Hello Painter People :-D
I’ve been watching you… and I can’t help but notice that you’re having trouble finding your palettes in Painter whenever you switch resolutions. Remember that demo you did? Where you wanted to show your client / boss / friends your work in Painter? You plugged your laptop into a projector only to discover that all of your palettes had vanished or moved to weird places? Then everyone in the room chimed in with an idea… “Launch with Shift!”, “Reset Your Workspace!”, “Reboot your system!”
It’s my goal to help you avoid the kind of situation where you feel like you need to reset Painter in order to regain control your palettes. Now I should start by saying, this post applies to single monitor configurations only… dual monitor configurations I’ll save for separate post.
Let’s start with some insider info…
When Painter detects a change in resolution, it will try to reposition your palette for you at the new resolution. It does this by trying to maintain the same proportional positions on screen while trying to keep room for your canvas. The problem with this is when you make a significant jump… doing this can create a lot more clutter than you would like...
For example, here is what my instance of Painter looks like at two different resolutions…
Larger Resolution: 1600x1200
Smaller Resolution: 1024x768
As you can see, Painter positioned all of the palettes “on screen” and this caused a good deal of collisions in my palette layout.
Let’s pause here for a moment… because that’s assuming that Painter detected the resolution change in the first place. For the most part, Painter is informed of resolution changes and is able to respond. There are rare occasions when it doesn’t actually “get the message” from the OS that the resolution has changed… which might hide your palettes off-screen. If this happens, I would suggest that you re-launch your application… or if you want to be kind to Painter, make sure that you have made the resolution change before launching Painter in the first place. It’s also worth noting that “connecting to a different monitor” (for instance a projector) constitutes a change in resolution.
Now, back to our problem with the palette collisions from above…
While Painter faithfully tried to make sure that the palettes would all appear on screen… the collapsed layout at the smaller resolution is not usable… and let’s face it, looks crummy. If I start to move my palettes around, in an effort to adjust the position at the smaller resolution, I risk ending up with the reverse problem when I return to my larger resolution. So here I hid some palettes, merged and moved others… then when I moved from the smaller resolution to the bigger resolution.
Smaller Resolution: 1024x768
Larger Resolution: 1600x1200
So, rather than constantly readjust my palette layout in Painter… I want to be able to specify which palettes will be displayed and where at different resolutions.
Now, I know what you are thinking… how can I anticipate the different resolutions that I will encounter? The short answer is that you really don’t have to… it’s reasonably sufficient for you to sort out a palette layout for “small”, “medium” and “large” resolutions.
Creating a palette layout couldn’t be more straightforward. Once you have Painter launched on a system with the desired resolution, position the palettes that you would like visible for that resolution. Once you have a configuration that you like, go to Window -> Arrange Palettes -> Save Layout… and name the layout to whatever you like. You can even force these different resolutions on the same system to create palette layouts in anticipation of different displays. Personally, I have palette layouts for the following scenarios…
“small” (1024 x768) – good for projectors
“medium” (1440x900) – good for my laptop
“large” (1600x1200) – good my 22 inch monitor
So the next time you find yourself in the situation where you are looking for your palettes because of a change in screen resolution, I hope that you’ll impress your colleagues by smoothly switching to your preferred palette layout rather than blowing away all your preferences or rebooting your system.
Until next time… happy painting :-D
In peace,
Caroline
Glashütte timepieces factory is situated close to Dresden, not possible to separate the upper and decrease its fame inside the worldwide arena and Mason porcelain. starting in 1998, the two are producing quintessence-class level of quality and world-famous German factory started out a cooperation: Glashutte created by Mason porcelain factory light painted dial, particularly with the the Glashutte exclusive manufacture of restricted edition watches.
Glashutte 2007 Only watches. The dial within the theme belonging to the palace belonging to the Prince of Monaco. It could be the perform belonging to the Mason painted the master duplicate Canaletto. 1747, a 26-year-old Venetian painter Bernardo Bellotto, named Canaletto, (1721-1780), towards the Duchy of Saxony, he is wonderful at meticulous landscape, making use of a painting method named digital camera obscura inside the draw really precise landscape painting. A complete draw of 17 within the landscape of Dresden, probably the most well-known a single is named Canalettoblick, figure Elbe, observed through the Church of Our Lady, the Augustus Bridge, elegant Palace as properly as the Queen’s Cathedral (now Cathedral).
Generated by high-temperature kiln light painted dial carries a tough and powerful texture, the colour continues to be long-lasting features, texture like smooth light tallow. light painted dial Mason Glashutte created good and delicate, exceptional style, the excellent expression belonging to the numerous sorts of artwork styles, the two Horrocks Stewart design style figures, there Kakiemon design tiger and plum other topics.
Mason opaline dial and painted enamel dial carries a really large artistic value. The planet can generate painted enamel dial belonging to the timepieces factory there are many producing the opaline dial only Mason porcelain factory one. Mason porcelain factory following an additional restricted edition Glashütte timepieces factory dial of the quantity of numerous topics. The themes of those dial Schulz, the Codex like a template.
Schultz manuscript is typically a Horrocks Stewart painted pattern arranged of style manuscripts, every single manuscript, which includes pieces of comprehensive design. Horrocks Stewart could be the founder belonging to the 18th century Mason porcelain. Draw within the qualities belonging to the etchings, handbook depicting well-known paintings to porcelain, as properly as the development of the exceptional Mason porcelain Horrocks Stewart style. Horrocks Stewart design painted the picture belonging to the theme lively and vivid, multi-colored and gorgeous patterns with the primary features. Horrocks Stewart design influenced a technology of porcelain painting teacher.
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Aligarh, December 19 (ANI): India’s northern Uttar Pradesh state is one of the most culturally diverse states of the country. Though most people in the state are dependent on agriculture, the region is also home to many industrial units and factories. And, Aligarh District is one of the many districts in the state regarded as an industrial hub. And what makes these industries tick is the harmony that exists between people of different religions who work here. One such example can be found at this door electro-painting factory. Though owned by a Muslim, it has many workers from the Hindu community.
Short URL: http://www.aligarhcity.in/?p=247
Aligarh, December 19 (ANI): India’s northern Uttar Pradesh state is one of the most culturally diverse states of the country. Though most people in the state are dependent on agriculture, the region is also home to many industrial units and factories. And, Aligarh District is one of the many districts in the state regarded as an industrial hub. And what makes these industries tick is the harmony that exists between people of different religions who work here. One such example can be found at this door electro-painting factory. Though owned by a Muslim, it has many workers from the Hindu community.
Short URL: http://www.aligarhcity.in/?p=247
I am lucky enough to go to RISD where I learn A LOT. But i truly hope what i have learned could be passed on to every art student in China.
Glashütte timepieces factory is situated close to Dresden, not possible to separate the upper and decrease its fame inside the worldwide arena and Mason porcelain. starting in 1998, the two are producing quintessence-class level of quality and world-famous German factory started out a cooperation: Glashutte created by Mason porcelain factory light painted dial, particularly with the the Glashutte exclusive manufacture of restricted edition watches.
Glashutte 2007 Only watches. The dial within the theme belonging to the palace belonging to the Prince of Monaco. It could be the perform belonging to the Mason painted the master duplicate Canaletto. 1747, a 26-year-old Venetian painter Bernardo Bellotto, named Canaletto, (1721-1780), towards the Duchy of Saxony, he is wonderful at meticulous landscape, making use of a painting method named digital camera obscura inside the draw really precise landscape painting. A complete draw of 17 within the landscape of Dresden, probably the most well-known a single is named Canalettoblick, figure Elbe, observed through the Church of Our Lady, the Augustus Bridge, elegant Palace as properly as the Queen’s Cathedral (now Cathedral).
Generated by high-temperature kiln light painted dial carries a tough and powerful texture, the colour continues to be long-lasting features, texture like smooth light tallow. light painted dial Mason Glashutte created good and delicate, exceptional style, the excellent expression belonging to the numerous sorts of artwork styles, the two Horrocks Stewart design style figures, there Kakiemon design tiger and plum other topics.
Mason opaline dial and painted enamel dial carries a really large artistic value. The planet can generate painted enamel dial belonging to the timepieces factory there are many producing the opaline dial only Mason porcelain factory one. Mason porcelain factory following an additional restricted edition Glashütte timepieces factory dial of the quantity of numerous topics. The themes of those dial Schulz, the Codex like a template.
Schultz manuscript is typically a Horrocks Stewart painted pattern arranged of style manuscripts, every single manuscript, which includes pieces of comprehensive design. Horrocks Stewart could be the founder belonging to the 18th century Mason porcelain. Draw within the qualities belonging to the etchings, handbook depicting well-known paintings to porcelain, as properly as the development of the exceptional Mason porcelain Horrocks Stewart style. Horrocks Stewart design painted the picture belonging to the theme lively and vivid, multi-colored and gorgeous patterns with the primary features. Horrocks Stewart design influenced a technology of porcelain painting teacher.
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Miami, Fl (PRWEB) September 26, 2011
Jennifer Nicole Lee has done it again. She has left her so called other competitors in the dust wondering, “how did she do that?”, and also has pushed the envelope in her latest Fitness Model Factory Production, her 2011-2012 16 Month Body paint calendar, entitled “My Body as My Canvas”. With over 100 hours worth of body paint time total, 15 different looks, and having to be shot by three different mega star celebrity photographers to accomplish this goal, Jennifer Nicole Lee has more than set the bar high enough that maybe possibly no one else will be able to achieve another feat such as this.
When asked how it feels to finally hold her body paint calendar in her hands, a goal she had ever since seeing the Sports Illustrated models being body painted, JNL responded “Being able to be the creative director, director, and talent in a full fledge production, produced in my own production studio The Fitness Model Factory, and seeing the vision beforehand, and now being able to physically hold it is more than a dream come true. Its like surreal. I am proud to have produced such a master piece that anyone, man or woman, young or old can get motivation from. I am blessed to have also such amazing fitness friends and fans, as well as a solid team to help my drams become a reality. But also I dont want to see another paint brush for a while. I honestly dont see how many are able to sit so still for so long while being body painted.”
A special thanks goes to Jennifer Nicole Lee’s solo body paint artist, Karen Taylor. JNL met Karen at her sons birthday party, where Jennifer hired a face painter and clown. Karen was painting the kids faces, but JNL was the first to sit in Karens chair for a star by her eye. JNL was enthralled by Karens idea of a body paint photo, and thus an entire calendar was born.
Starting in February of 2011, and wrapping photography at the end of August, JNL was a bit drained at how long it took to get 15 different and complete looks and themes for the calendar. And then came creative layout and graphic design, which took another few weeks. In the end, JNL stated “its so bitter sweet to see it all come to an end, but then so rewarding to see the calendar as a final completed project. My fans love it, and I always will go above and beyond for them.”
To get a limited edition collectors item body paint calendar, visit http://www.ShopJNL.com
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Both a household item and a work of art, Zhostovo lacquered trays have for decades been nothing short of Russian national treasures.
“We call them ‘hammered trays,’ because unique pieces like this one are made by a master blacksmith,” Mikhail Lebedev, chief painter at Zhostovo decorative art factory, told RT. “For decoration, imitation gold and mother-of-pearl are used. Trays like this are part of our cultural heritage.”
They are known as Zhostovo trays because they are made in the village of Zhostovo, north of Moscow. The craft of decorating metal trays developed in the area in the early 19th century. Such trays come in more than 200 different shapes. Typically, troikas or landscapes are painted on a black background, but the true local trademark is floral designs.
“We use a special multilayered painting technique, where oil paints applied layer after layer – that’s the traditional way to do it,” Lebedev said. “The key is to make the picture look like it shines from within. And although we are inspired by real flowers, we always try to introduce a hint of fantasy, to turn a still-life into a fairy-tale.”
The tricks of the trade have been passed down from generation to generation. A metal tray is coated with background color, then the painting is created: first the initial outline, and then the highlights and details. After that the borders are decorated, and finally it is all topped with lacquer. The intricate stroke work on each tray is unique – no two pictures are the same.
Ever since the craft appeared, artisan dynasties have formed. Having come from a family of Zhostovo craftsmen, painter Zoya Moiseeva has spent the past 40 years honing her skills.
“I was born here, my whole family, all my sisters and cousins are painters,” Moiseeva told RT. “And my grandfather used to make lacquer for the trays. It all seems easy for me now but it does take a lot of patience and time to get your strokes to be soft and precise.”
Today, the Zhostovo tray-painting factory offers tours around the workshops to see how the craftsmen do their magic and discover some of their secrets. Learning to paint like the pros takes years of practice, but at such a workshop anyone can try at least a couple of strokes – special master-classes teach the basics.
An unlikely movement has taken root in the heart of Khon Kaen: street art. Here, a group of recent college graduates and former skateboarders are taking the city by surprise with the controversial artwork they are painting across the walls of city buildings. They call themselves Dude Factory.
Street art has yet to make waves in Isaan but this group of artists has made it their goal to bring the movement to the region. Recently, the Isaan Record sat down with Floyd, Baby83, and Wink – three artists from the group (all of whom preferred to be identified by their tag) – to hear more about their work and their experience painting in the city and on the outskirts.
See their work and read what they have to say below.
Isaan Record: So, why street art?
Baby83: Floyd, Wink and I used to do extreme sports together – BMX-ing, skateboarding. We got to know each other through these activities and in the context of street culture. [And over time] I got to know the culture better, too. I started learning more and I discovered that modern street art is a branch of this culture. It’s a performance, and one that can be presented to people easily. You know, if we work on art inside a frame, we’re just working at home – people will only see our work when we display it in an exhibition. But for street art, they can see our work while we are in the process of doing it, and they’ll ask questions while we work. That’s what it means to be fresh. It’s a lot of fun.
Wink: After I graduated from [the faculty of arts at KKU], I started to see that there are other kinds of work out there like street art. Once I was out of college, I realized that there’s this large gap between art and people. I thought I should do something to bring art closer to people because our city, Khon Kaen, doesn’t have much in the way of [contemporary art] movements. I chose to present this kind [of art] as my way of expression. I came to that conclusion two years ago.
Floyd: I had seen [street art] when I was young and became interested in it, but I didn’t know how I could get involved. I started getting into BMX-ing and I was studying art at the university. After I graduated — well, it’s the same as Wink said. The art of this society is really dull, it’s also dated. There are only old people doing it. For teenagers, especially the alternative ones, it’s so old-fashioned. So we all started talking to each other about how we could make a strong impact [on people] and how we could make them confused. We decided street art was the best option. We like it. And we think that the finished product is cool, too.
Baby83: Let’s suppose that drawing on paper is like listening to music on a CD. What I mean is that working inside of a frame is a lot like listening to a CD. But the process of going out and doing street art, well, that’s like playing a concert. It’s live. Whatever we say, however we play at a concert – it’s far more powerful than when it’s on a CD.
IR: How do people react to your work in the city?
Baby83: We always ask for permission and we even show people sketches beforehand. The reason we do this is because [Thailand] is different from Europe or America. There, [artists] don’t need to ask permission because people aren’t afraid of art, it’s not talked about as if it’s scary. But here we have to ask for permission because people are afraid even though it’s just art. Ultimately, it means people can have trouble appreciating it.
Wink: Once I was painting a head on a Chinese house – one half of the face was a skull and the other half was pretty. But once it was done I had to erase it. Chinese people really hate skulls. In China, punk culture is not something that people accept, partly because of [the symbol of] the skull. So I had to take it down and paint the whole wall over again. I understand that this is a part of their culture but sometimes I can’t control myself. [Laughs] But I also know I have another responsibility – I respect the owners of the buildings so I had to make the piece softer and less frightening. I still maintained my concept, though. Since we’re sharing the space with the public, this is something you just have to accept. So I’ll only make art [that’s controversial] to a certain point. That’s what I believe is right. And I’ve learned on my own that in this situation, if the art is too frightening, society might not accept it. So, that’s our answer.
Floyd: Just to be clear – sometimes we don’t ask for permission. We just sneak around and do it because it’s exciting that way. It’s also more exciting for people who don’t know what they’re about to see around the corner…. Really, impact is our main policy in street art. Like in Banksy’s work – he got his work into a museum and made people really confused. It made people start asking questions.
IR: We see that you also make street art out in the villages. How do people there receive it?
Floyd: For me, painting in the village is better than painting in the city. It’s innocent. Villagers don’t have any silly questions, like “Who hired you to paint?”. But they’re glad that the work is beautiful and they invite me to paint often. But if I’m in the city, people have a lot of questions and I have to give them reasons. “Why do you do this?” “Do you get any money?” “Did you have to ask the municipality for permission?”
Baby83: We used to work at a school in Kaina village. Kids like this kind of work – they never really knew that painting on walls was a field of art. They always thought that artwork was just a drawing on a piece of paper that they needed to hand in to their teacher.
Floyd: Villagers look at our work with their feelings – they’re not asking for lots of reasons. This is the right approach. They still see beauty, even though they many not quite understand it.
IR: Why do you think city people might be afraid of contemporary art?
Baby83: There are restrictions on how much we can learn about other cultures. [Cultural movements] come here late. When I was studying at the university, my faculty didn’t even have a library. And that was in 2000.
Floyd: In the past, there weren’t any bookstores in Khon Kaen. The books in the library were too old and there wasn’t a movement to bring new books to the library. When we got a bookstore in Khon Kaen, it was like the whole world opened up in front of us. Still, lots of students studying at university today learn from really old books so their work is old-fashioned.
Wink: In my opinion, some people fear the work itself, and other people fear what will happen because of the work. There are two kinds of fear.
IR: How does your work contribute to the identity of Isaan?
Floyd: Khon Kaen doesn’t have an identity. We pick up stuff from other places to use here. Like in Chiang Mai, of course, there’s so much art, and it’s easy to get into it. But in Khon Kaen, things are superficial, unprofound – it’s all business. I sure as hell don’t want to sell stuff. They can bring their business, but they’re not bringing any real culture. We still haven’t proven anything about Khon Kaen to outsiders yet. What does Khon Kaen have to offer?
Baby83: In some ways, we are trying to create [an identity]. We’re starting small, but that’s good.
For a map of selected Dude Factory work in Khon Kaen, click here. Or visit the Dude Factory facebook page for more photos.
The cost of your initial purchase does not matter. In other words, you can initially buy a $60 painting, receive your code, then use it take 25% off a $3,000 painting (i.e., a $750 savings). You can use the code on all future purchases, not just one. So you can use the code to purchase multiple paintings after your initial purchase. It's my way or rewarding collectors who invest in me instead of giving blanket discounts to those who have yet purchased my work.
After 12 years at Corel, and over 6 of those working on the design of Painter, I am saddened to have to tell you all that I have chosen to leave the Painter team and Corel.
It has been a great pleasure to chat with many of you over the years, working to make Painter the best it could be.
I am confident that Painter will continue to grow and innovate with great new tools and features that will help artists create amazing artworks, there is an amazing team behind Painter, and I'm sure they will do great things. I know I'll be watching ;)
If you are looking for someone to talk to at Corel, I am sure Andy would love to get an email with any feedback you would like to provide.
Keep well, and happy painting to all of you.
cheers
steve
 01-30-2012, 07:18 PM | #7 |
| Its over 9000!  Join Date: Nov 2011 Location: Phoenix, AZ Posts: 509 | I've been experimenting on some hubcaps I have laying around, trying different colors and different techniques. I have watched a ton of videos of people painting and plasti-dipping wheels. I am really on the fence about color. I know this is temporary since I'll be buying wheels this year, but I don't want it to look dumb for that time. I've experimented with anodized colors, which look GREAT on chrome surfaces, and merely ok on painted. My Dad says white, but I really like the look of the black. I have also been considering gun-metal. In any event, I am going to post a DIY when I do it. Any votes for a color? |
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Long before Danish architecture, furniture design and Lego made Danish arts and crafts famous and created a worldwide demand for such products, the royal porcelain had already put Denmark on the world map. As early as 1790, Flora Danica was famous far beyond the country's borders. Today Danes, Americans and Japanese each buy a third of Royal Copenhagen's production.
After several generations where royal porcelain has been deemed to be distinctly middle-class, it now finds itself "in" with the younger generation of Danes who have, for instance, begun collecting Blue Pheasant (the Japanese have always been particularly fond of Blue Fluted porcelain). Today the younger generation no longer buys porcelain figures of bears, polar bears and dogs - these remain very popular abroad however.
Today, a complete Flora Danica dinner service for 24 people costs around DKK 1 million. This, however, includes 2 ice bells, each of which costs DKK 100,000.
The Danish royal family continue to buy Flora Danica as official gifts, although this is not the reason for the name royal porcelain. The factory was founded in 1775 by a Danish chemist. King Christian VII bought shares in the company as early as 1779. The king was mad and his mother, Juliane Marie, greatly influenced his financial transactions. Born in Germany where her brother had a porcelain factory, she too was determined to increase her public standing by having her own factory.
As time went on, the royal family lost their shares in the company, and in 1985, Royal Copenhagen was bought by Carlsberg, which has amalgamated the design studio Bing & Grøndahl, Georg Jensen, Holmegaard, Kosta Boda, Ôrrefors and Illum's Bolighus under the Royal Scandinavia name (their offices are situated at Amagertorv).
It was in fact Queen Juliane Marie who came up with the idea for the factory logo, namely the 3 blue lines symbolising the Little Belt, the Great Belt and the Sound.
Ordinary toursIf you'd like to see how porcelain has been manufactured over the past several hundred years, arrange to go on a Royal Copenhagen guided tour of the factory which is situated in Smallegade in Frederiksberg.
The tour begins at the Welcome Center where visitors view a video recounting part of the factory's history. The best-known service is Blue Fluted, which is either ribbed or comes with a semi-blond or full-blond rim. Blue Fluted remains extremely popular, not least with the Japanese.
The tour moves on to the factory yard where you get some idea of the 40,000 square metre area housing 1,000 employees. The visitor is then led in to the painting workshop where painters paint up to 15 plates a day using special brushes. The most difficult aspect of the Blue Fluted service is the candelabre, which alone takes 3 days to complete.
There is also a visit to the museum wing where you can view some of the factory's earliest porcelain services. Here too you will find early examples of other creative pieces of handicraft such as stoneware which were attempted over the years. The tour is rounded off with a visit to the showroom where current porcelain dinner services are on display to the public.
VIP tourThis higher priced tour includes a visit to the workshops where employees manufacture the porcelain, and closes with a short course in porcelain painting. The factory is not interested in giving too many VIP tours as this tends to disrupt work for the staff. VIP tours are for the same reason not arranged during the factory's holidays in July.
The tour begins in the same way as the ordinary tour but soon leads to the glazing room. It is a remarkable thing to behold the 37-metre long kiln through which the porcelain has to pass to burn at a temperature of 900 C°. There is an even larger kiln measuring 48 metres for the glazed porcelain. Here the porcelain takes 46 hours to pass through the kiln and burns at a temperature of 1400 C°. There is also time for a quick look at the foundry as well as the shops where the porcelain is joined, glazed and painted. This is the place where the 3 ladies who have worked at the factory for 29 years sit and do their work.
Here, you get the distinct impression that you are dealing with a true handicraft, where every separate piece of the service is made by hand. If, for instance, the painters want to make a Blue Flower porcelain service, they can choose from 16 different flowers. This creates a diversity and individuality of style, which is not to be found on a mass-produced dinner service. Certain rules have to be observed; the circle in the centre must be perfectly round otherwise the plate is rejected. A great deal is indeed rejected if the slightest mistake is found. Many of these seconds (you will often need a microscope to spot the error) find their way to the factory shop at Søndre Fasanvej at considerably reduced prices.
Do-it-yourself
If you have a porcelain painter hiding away inside you then a brief hands-on painters' course is just the place for you to dazzle and shine. The course instructors have a trained eye and are immediately able to spot whether the visitor is someone with a natural talent or someone who has had experience in the trade.
First and foremost it is about trying things yourself. It looks so easy when the painters at the workshops create blue flowers on the white plates. After careful instruction you are given the chance of decorating a hollowed egg with the famous Blue Flower pattern. Blue Fluted is the easiest pattern for this purpose. It quickly becomes clear why it is so important for the paint brushes to be cut the way they are. Whatever you do, don't give up. It takes the professionals many years of hard practice before they become as adept as they are.
Table, set thyself!
"Table, set thyself!" This is how the fairy tales read and as if by magic, the table suddenly sets itself. Things are not quite that easy in reality however, and if you want to do things the "correct" way, it can quickly develop into something of an art. Royal Copenhagen offer a 1-hour course in table-setting where the art can be learned.
The course is held for 10-30 people at a time on the first floor of the Welcome Center. It can be concluded with lunch in the library (here you'll find books, porcelain figures and view of the factory courtyard with its tall trees). The course begins with the instructor explaining something of the history of Danish table-setting. When exactly did the wild and barbaric Danes learn to eat with a knife and fork? When were women allowed to sit at the table? When did they start using tablecloths and napkins? Today, we eat off royal porcelain and white damask using cutlery. It's all a far cry from the Vikings who attacked their food with their fingers, drying them on the hair of slaves.
Once everyone has had a chance to study the table setting, everything is removed. Course participants then enter the library where porcelain and cutlery have been jumbled together. In groups of 4, participants try to set a table. It's usually hilarious and very instructive. Even those familiar with Miss Manners can take home a tip or two. Participants are given a glass of wine or water as refreshment and the whole seance is tied up at the end with a diploma.
A Danish cold buffet is available in connection with pre-booked tours, as is coffee, sandwiches and brunch for parties of at least 10. The Welcome Center is happy to arrange dinner at the factory for parties of no less than 50.
Round off your tour by visiting the Royal Copenhagen factory shop on Søndre Fasanvej - or, if you can afford it, pay a visit to the shop at Amagertorv which sells firsts from the factory production. Rest those tired feet at the Royal Copenhagen tea room, where you can drink out of your newly acquired porcelain.
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I am lucky enough to go to RISD where I learn A LOT. But i truly hope what i have learned could be passed on to every art student in China.
The metaphor of the “sausage factory” is often used to describe a behind the scenes look at something not often seen, and perhaps for good reason; ie. if we all had to watch sausage being made no one would really want it anymore. Is the same true for oil painting? I’m thinking not, in fact I’m thinking/hoping it will be interesting for non-painters and other painters alike to see the progression in stages of a gesso’d white board into some kind of art.
So here goes, a 24x36inch landscape I started late last month.
10/28/09 – Gotta start somewhere.
A sky appears.
10/29/09 – Is that a barn?
11/03/09 – Progress!
11/4/09 – Tweaking
12/14/09 – Finally got around to finishing this painting off…
fin
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